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1 - 5 of 103 total
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Neo-pagan sexuality
BY: Denis Haack
In The Matrix Reloaded, the Wachowski’s provide us a glimpse of Zion, the last refuge of the human race in the war with the machines. The temple/sex scene is crucial because it is not only in the heart of Zion, it has religious meaning as a final assembly to prepare for the last desperate battle for survival.
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The Lives of Others (Florian Henckel von Donnersmarck, 2006)
BY: R. Greg Grooms
The Lives of Others is not yet another tired tale of the triumph of capitalism. It is instead a story of the power of beauty and the sacrifices necessary to create it.
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The Painted Veil
BY: Denis Haack
Slow moving film that unfolds a sensitive, thoughtful story of love, lust, marriage, relationships, forgiveness, and communication.
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Closer (Mike Nichols, 2004)
BY: Denis Haack
How do we live with integrity in the face of desire? The ancient Hebrew sage linked the death of desire to death itself (Ecclesiastes 12:5); David’s conviction expressed in poetry, was that knowing God was inexplicable unless the delight of the divine shaped our deepest desire (Psalm 37:4).
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Junebug (Phil Morrison, 2005)
BY: Raymond Blanton
Junebug’s a fixation of wonder on the incessant drama of family life and gives ample opportunity to pluck your pick of emotion from the familial tree
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Brokeback Mountain (Ang Lee, 2005)
Matrix Reloaded (Andy & Larry Wachowski, 2003)
Garden State (Zach Braff, 2004)
Hotel Rwanda (Terry George, 2004)
Big Fish (Tim Burton, 2003)
Lawrence of Arabia (David Lean, 1962)
Inherit the Wind (Stanley Kramer, 1960)
Big Kahuna (John Swanbeck, 1999)
Chicago (Rob Marshall, 2002)
Chocolat (Lasse Hallström, 2000)
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We live in a skeptical world, where for many unbelief is more plausible than belief, where cynicism often seems to trump the claims of faith. We take doubt and faith very seriously here. In fact, we are convinced that both believers and unbelievers need to take their doubts seriously. Truth and life and too important to do otherwise.
Thanks for visiting our web site.
Denis (for Margie, too)
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